“There will be pain for us all, but it will not be all pain, nor will this pain be the last. We and you too, you most of all, dear boy, will have to pass through the bitter water before we reach the sweet.”—Van Helsing, Dracula
************************************************
It’s dark in here. Really dark. Like “can’t see your hand in front of your face” dark.
The dark makes me afraid to move. Tripping is the least of my worries in this place. Stepping off some unseen ledge into….what?...seems the most likely outcome. An endless fall, probably. Straight into hell.
But it’s cool—chilly even. Maybe Dante was right and I’m in the waiting room for the 9th circle?
I decide that curling up in a ball on the ground is my safest option.
There are noises. Because I can’t see, there is no way to tell from where—or from what—they emanate. I hear water dripping…but it might just be my own tears.
I really should know THAT sound by now—but things are different here. I’m not sure yet what the difference is, except that the air pressure here seems lighter somehow. Less oppressive. Like I might be able to breathe again.
It feels like forever since I the last time I breathed. Easily, anyway.
It hits me that I’m alone here. And when I say “alone,” I mean utterly alone. There is nothing human in this place, except for me—and whether I still count as human is debatable at this point.
To be honest, I can’t remember exactly how I got here. Probably just being pecked to death by ducks…
Except I vaguely seem to remember the ducks turning into geese—and those are some mean motherfuckers. Trust me on this one—if they had opposable thumbs, they’d rip your heart out and eat it in front of you. You can see their hatred and contempt for you in their beady little eyes.
We let them live only because they are so beautiful...
That’s how they get close to you, of course.
They stand there looking so regal and so impossibly lovely, and maybe you don’t know how vicious they can be because this is the first time you’ve encountered them.
Or maybe you just forget, because you are desperately craving beauty in your so-called life, and that bird stands there, teasing you with thoughts of flight, as water droplets sparkle like stars on its feathers.
So you walk toward it, hands outstretched in wonder, and….
Wake up to find yourself here. Wounded. Bleeding. Alone.
But if I'm honest—and why NOT be honest at this point?—I’m grateful to be alone. Because nothing else can hurt me now.
Except me.
Which is the first comforting thought I’ve had in a long time.
************************************************
“I keep a record of the wreckage of my life.”—Halsey, Nightmare
Pain is a funny thing. Some forms of it will destroy you—others will give you pleasure. The difficulty is trying to figure out which is which—and remembering not to confuse them.
I might have had a little trouble keeping all that straight….
A more positive framing could be that, when it comes to self-inflicted pain, I’m an Olympic-level athlete.
Everyone has a talent, right? And I remember now that I ran toward those geese as if the Devil himself was chasing me. Did my feet ever even touch the ground?
For a moment, I WAS a bird...or thought I was.
The geese were well aware that was nonsense—and they were offended by my presumption. I was the only confused one.
But what happened BEFORE that? As soon as I ask myself this question, I hear the unmistakable sound of an old-fashioned movie projector revving up, and a light begins to flicker in the darkness. I can see now that I’m in a cave of some sort, and before I even have time to process this thought, scenes from my life begin to flicker across the rocky walls.
I see a fat little girl with long hair and buck teeth. Her father walked out when she was six. She’s smart…too smart for a girl in the 1970s. She’s desperate for friends, but they are hard to come by. One day she’s in—the next she’s out, and she never knows why either way. She dreams of horses and a daddy who loves her enough to stay…
Suddenly, I catch myself and shake my head to clear my thoughts. There can be only a handful of possible explanations for this bizarre scenario in which I find myself:
I’m dreaming.
I'm experiencing the mother of all Candid Camera stunts. Or...
I’m going crazy.
I bite my lip. Hard. The warm coppery taste of blood in my mouth tells me I’m not dreaming.
I see no projector or projectionist. No Alan Funt popping out from behind a rock formation to corral all this weirdness into some kind of comprehensible narrative.
That leaves only Curtain #3.
Crazy it is.
************************************************
“I started out clean, but I’m jaded. Just phoning it in, just breaking the skin…”—Rob Thomas
Crazy is a family trait. My mother went crazy when she turned 35. The movie reel plays my memories of her standing in front of the bathroom mirror every day of that year, looking in despair at her face and body. She was on her third marriage by then, and it wasn’t going well. She was sure her life was over.
Should I add that she was beautiful? Wounded, frightened, and fragile—but beautiful.
I was 15, and I was NOT beautiful. And I was impatient with her. Her fixation on her looks and her weight annoyed me. Probably because I was chubby and the braces hadn’t yet completely cured my buck teeth. I knew she hated the fact that I was fat. That I refused to wear makeup. That my favorite clothes were sweatpants.
Mostly she hated the fact that I didn’t want to be like her.
Now that I have children, I understand this a bit better—but, given the current state of things, the last thing I want is for my children to be like me.
The irony of it is that I am much more like my mother than either of us would ever have predicted back then. Both of us desperate for love. Both of us with terrible taste in men. Both of us looking at our reflections and searching for…I don’t know. I suspect we both expected that mirror to show us a different woman, and it broke us when all we saw was our own weary faces.
Now that I think of it, maybe the real issue was that we had both been told all our lives that we were destined for great things—only to discover that we were nothing special. Just garden-variety, middle-aged, white women having a come-undone.
Let’s face it. In this culture, being ordinary is the worst sin of all.
But my madness is the late-blooming variety, I guess. I just turned 42. That seems such an odd number, doesn’t it? When I passed 35 without following in what I saw as my mother’s self-absorbed footsteps, I actually had the temerity to pat myself on the back. Back then, I still wanted to be better than my mother. Stronger. Independent. Self-confident.
But here I am in this cave. Did my mother ever wake up one day in a cave of her own and think “Why do I even bother?” And if she did, how did she get out alive?
Do I want to know the answer to that question? Right now, the answer is “No.” I am exhausted, and I crave rest more than I crave air or water.
But the reel plays on….
There have been signs all along, I guess. I don’t remember anyone talking about the practice of “cutting” when I was a kid, but for as long as I can remember, I’ve engaged in my own slightly more socially acceptable version of it. I chew my bottom lip until it’s in shreds. It’s not very attractive, but it has an advantage over cutting in that it never scars and the skin always grows back.
(On occasion, I get that “bee-stung lip” look that women pay good money to achieve. I guess you can count that as a side benefit, if you’re into such things.)
I do it for the same reason other people slice their skin with knives or razors: the pain is clean and sharp, and it distracts me from other hurts for which I have no remedy.
I confess that I am oddly proud of my little variation. I have created my own, renewable source of self-flagellation—and people who see only the most superficial part of me just think I need some Chapstick.
It’s easier for all of us that way.
They don’t really want to know that I’m inflicting physical pain on myself to keep the mental wolves at bay. And I prefer avoiding pesky questions for which I have no answers—or answers I don’t want to share, anyway.
(That makes me sound mysterious and possibly tragic, doesn’t it? But it’s just another lie I’ve told myself—that I have answers worth hiding.)
The pathetic truth is that I’m nothing special. I’m a completely unremarkable woman who is having a nervous breakdown. I’m failing at marriage for the second time, and every morning, my aging face stares back at me in the mirror. Other than my children’s tiny hands, I can’t remember the last time I was touched in love or desire.
Did I give up all the wrong things to build the life I have now? I’m sinking slowly in the morass of my own unfulfilled ambitions and wasted talents and thinking that death will be a welcome relief from so much recrimination and regret.
If I weren’t so exhausted, I would probably have the grace to be embarrassed by this self-indulgent recitation. The only way I could be a bigger cliché is if I were a man and left myself for a 20-year-old with big tits and a bright-red convertible.
As I contemplate this, it occurs to me that men get a much better deal in the mid-life crisis department. Here I am, crouched in this lightless cave trying to decide whether I should off myself—while my masculine doppelganger is out joy-riding up and down Pacific Coast Highway with a sweet young thing and undoubtedly popping Viagra like breath mints.
For a moment, I’m royally pissed at the gendered unfairness of this entirely made-up scenario—and then I laugh for the first time in forever. It’s a rusty sound—like I’m the Tin Man and it’s been too long since the last time my jaw got oiled.
Believe it or not, there was a time when I laughed a lot. Before the geese came along with their incessant honking and their sharp beaks and drove me into this cave. Which is purely in my head, of course.
But you already knew that.
************************************************
“The unexamined life is not worth living.”—Aristotle
In the flickering lights of my memories, I see my failures in grainy technicolor. Relationships. Careers. Motherhood. That familiar feeling in the pit of my stomach—the feeling of falling into a black hole in which no one can see or hear me—reappears.
And the reel plays on….
The images are more than grainy—I feel as if I’m watching through a dirty windowpane because they seem to move in and out of focus. I blink to clear my vision, and that’s when I finally notice the geese.
They are silent, nearly transparent, and they fly in and out of the frame at odd moments. It’s clear the “me” on the screen doesn’t know they’re present. In my still-dazed state of mind, it takes a while for my brain to start noticing their common points of entry and exit with respect to the “story” playing out on the wall.
But is it my story? I can’t say for certain. I recognize certain elements—people, places, events—but how can I be sure that the unfolding tales are truly mine?
We’ve already established that I’m crazy, after all…
I know our memories are not stored “whole” in some kind of mental filing cabinet. I know our brains deposit different aspects of a memory in different neural locations. When we try to remember something, the brain attempts to pull those “pieces” from their respective storage sites and reassemble them—not always (if ever) accurately. This is why, for example, siblings who experienced an event together often have such wildly different memories of it.
Change a single element of an event—or the person observing the event—and the narrative can be entirely different.
And yet…there is something that feels…right…in this recollection of my life. There’s some sense of both honesty and relief in watching the many ways in which I have failed myself and others. I register a slight, but perceptible, lifting of the sense of weariness I’ve felt for so long. It feels cathartic to recognize that I’ve been trying to pretend I’m more than just broken pieces held together by wires spun from duty and shame.
I begin to notice that the birds flit into the frame in moments where I vaguely remember feeling a sense of direction and purpose for my life—falling in love, taking a new job. I sense that the number of geese in any particular frame depends on the intensity of the emotion connected to the memory.
Motherhood brings a flock of them, crowding into the hospital rooms where I pushed reluctant, howling infants from their warm, cozy nest into a world where—even then—I knew I could never keep them safe.
The geese look on solemnly as the doctor hands me first my son and later my daughter. Their bright eyes fixate on my babies’ faces—is that wonder I see there? Both babies turn their heads toward the birds…listening for something that only they seem to be able to hear. Did the geese speak to them? Hiss at them to flee while there is still time? Or—please God—whisper that each had found a home in this world where they would be guaranteed love, if not safety?
The babies’ eyes close, as if on cue. The message—whatever it was—had been received.
Let the record show, your honor: When the geese turn toward me, their bright eyes grow cloudy—inscrutable. I am holding my children and cooing the way new mothers do—completely oblivious to their presence. Suddenly, a shudder moves through the gaggle. Almost in unison, they wheel and fly away.
No one in the room gives any sign or acknowledgment that the geese have been there.
The same is true of all the geese who appear at major decision points in my life. They are there, but I can’t see them in the moment.
Only now, when I have reached the end of some road I didn’t even know I was traveling, can I see that they surrounded me long before the cave. Only now can I see that they didn’t always seek to harm me.
What am I to make of this? Who are they?
And then the slaughter begins.
******************************************************
“The tragedy of life is what dies inside a man while he lives.” Albert Schweitzer
The reel begins whipsawing through all the most painful experiences of my life. As it does, relentless images of pain and horror fill the cave. It’s the geese, and they are dying. As I endure the pain of betrayal and loss, they gather unseen around my feet, their feathers drooping. Some of them grow ever thinner, until they simply keel over from lack of food or water.
Others have clearly been injured. Blood drips from their beaks, their wings, their feet—until I am standing in a river of gore, surrounded by feathered corpses.
The worst are the ones who are gasping for breath. I can see that they are being strangled—but not who is doing it. I desperately search the frame to find someone to stop the ongoing massacre, but there is only me—and I can’t help them because the me in the reel is insensible to their presence.
My heart feels as if it will burst out of my chest. I only realize I’m sobbing when I try to take a breath and it’s all I can do to suck air into my lungs.
The cries of terror and anguish are unlike any I’ve ever heard. Other geese begin flying into the frame, trying to save their kind—but it’s impossible. It’s almost as if the dying animals are chained to me. The flock flies helplessly in circles, watching their mates and children suffer, while the “me” on the screen is oblivious.
Now I understand why the geese hate me.
I don’t know how or why I am responsible for the murder of their kin, but it’s clear I am. I begin to keen over all this senseless, terrible death. The sounds of geese dying and my wailing bounce around the cave, creating a cacophony of noise in which the last shreds of my sanity feel like spider silk wrapped around palms bleeding from the nails I’ve dug into them. One more tug and I will disappear permanently into darkness. I WANT this. In this moment, I want nothing more than death and an end to the carnage that is attached to my life…
And at just that pivotal moment, the reel flickers out and—mercifully—goes dark.
Once again, I’m alone.
************************************************
“Suicide is painless. It brings on many changes…and I can take or leave it if I please.”—Michael Altman, M*A*S*H theme song
I have no idea how long I lie there, sobbing. Before I woke up in this cave, I was exhausted and hopeless. Now I am devastated as well. I have committed many wrongs in my life, but the images of the suffering geese have added innumerable previously unknown sins to my account.
This knowledge is too much for any mortal with a shred of empathy to bear—and I’ve always had more empathy than I needed…
I know now why I am here. The beautiful finality of death beckons. No more pain or suffering—for me OR the geese. All I have to do is step deeper into the cave and all the pain will end. I don’t know how it will end, but I know with certainty that it WILL end. The promise of rest floods through me like a cold mountain stream, and I suddenly feel invigorated. I stand up, trying to orient myself in the darkness so that I can journey farther into the cave.
And that’s when I feel it—the first peck. It’s tentative—probably because it’s dark. But it’s quickly followed by several more, and these hurt. I bend down, reach out my hands, and touch…feathers. So many feathers, attached to so many geese. I’m surrounded.
I should be terrified, but I’m not. This is not the way I wanted to go, but I sense the rightness of it. “An eye for an eye” is as old as time…and why shouldn’t I pay for my failures?
But that isn’t what happens. The geese are so tightly packed around me that when they move, I have no choice but to move with them. If I try to move in a different direction, or I stop keeping pace with them, they peck me until I fall in line.
I can’t see anything, but I can hear them “talking” to one another—soft honks and the clicking of their beaks—as they maneuver me around in the darkness. I can sense their determination. If I refuse to do what they want, they WILL peck me to death.
Mere moments ago, I was prepared to accept that fate—but something about their resolve is chilling. They are more than determined—they are relentless…but for what purpose?
The dark begins to get less…dark…as we walk, and I start to be able to distinguish shadows. I see so many small heads around my knees that I can’t begin to count them all.
And then I see light—real light—at the mouth of the cave.
The geese are set on ushering me out of the cave. I DON’T WANT THIS. I want to turn around, walk further into the darkness, and never leave.
But the geese have other ideas.
I hear my blood pounding in my ears, and I try to struggle a bit, but it’s no use. I’m being moved without my consent and that movement is inexorable. I am not going to be allowed to choose to die. A part of me screams out at this denial of my autonomy.
But a voice inside my head reminds me that I have never really been in control of my life. Ever. So why should I expect anything to change now?
************************************************
“Carry on, my wayward son, there'll be peace when you are done. Lay your weary head to rest. Don't you cry no more.”—Kerry Livgren
We finally exit the cave—this army of geese and me. They walk out away from me and then turn around to face me. There are hundreds—maybe thousands—of them. And they are all looking at me with angry eyes. They honk and honk until I have to put my hands over my ears to keep from breaking down.
As soon as I do—miraculously—the din stops.
I stare at them in confusion. They are waiting for something. But what?
There is one gander that is clearly the “general” of this avian army. He waddles up within about 5 feet of me and stares into my eyes…and that’s when I hear another voice in my head. It has a weird accent and its diction is oddly formal. To be honest, it doesn’t sound human.
“Do you know why you are here?”
I shake my head because I cannot trust that my voice won’t squeak.
“You have been brought here to see that your ordinary life is precious. To accept it and make peace with it, to the extent you can.”
“How am I supposed to do that?”
“By learning to understand what you saw.”
I’m beginning to see why my children throw temper tantrums. The inability to understand something the party in authority is trying to communicate to you is maddeningly frustrating…
“I get some of it,” I tell him. “But my brain isn’t working all that well these days.”
"I have noticed,” he fires back. (I guess I’m not the only one frustrated in this exchange.) “What DO you understand?”
“That your friends there,” I point to his multitude of companions, “and their lives are somehow tied to my emotional state. But I don’t know HOW or WHY.”
Do geese sigh? Because I believe he just did. But I am used to this. Disappointing people is the story of my life…
As soon as I think this, I see his eyes soften, and the voice inside my head grows kinder.
“The dying geese you saw on the walls of the cave are hopes and dreams you held on to for too long. Instead of setting them free when they did not come true, you took them captive—and killed them in the process. You have been carrying around the rotting bodies of my children for many years. Their weight and the stench of death have proven too much for you. This is the root of your madness.”
I wonder briefly what the rest of the geese are thinking during this exchange. They stand as still as statues, their unblinking eyes trained on me.
The gander continues…“We are here to protect and inspire you. But we cannot do that if you insist on holding on to ideas and desires that no longer serve you. You kill us in the process—and you have murdered far too many of us already.”
My heart is aching. Because I see the flashbacks of the dying geese in my mind, and I know the truth of what he is saying. Tears drip slowly down my cheeks. I don’t even bother to wipe them away.
So many of my hopes and dreams have made me deeply unhappy. Were they all really mine to begin with? Or did I just take them on out of duty, tradition, or guilt? I have sometimes felt that I’m Exhibit A for the warning “Be careful what you ask for—you might get it.”
I have looked to men, jobs, family, friends, etc., for validation, and though I usually find it there for a time, it never lasts. There is a hole inside of me that seems unfillable, and I’ve gotten badly off-track looking for some well to quench a thirst I don’t even understand.
As if he can read my mind, the gander’s voice echoes inside my head again….
“You have forgotten who you are. We are here to remind you. Despite what you think, you DO have the option to walk back into the cave. But many of us have died to prevent that. If you turn around, our sacrifices will have been in vain.”
“THAT’S NOT FAIR!!!!!” I scream. “I didn’t even know you existed! How could I have protected you when I didn’t even know you were there?!”
“Oh, but you did,” he says. “You have always known we were there. You simply chose to forget rather than give up the things that hurt you. The pain you felt was a function of your own unwillingness to admit you were wrong or had made a mistake and let go.”
This feels uncomfortably accurate.
I rack my brain, thinking of all the times that I held on when, deep down, I knew what I was dreaming of or hoping for was out of reach. When I convinced myself that he would change if I just loved him enough. When I told myself that I would be valued if they could only see how smart and dedicated I was. When I changed the way I behaved to keep other people comfortable and be accepted…
I’m sobbing again now.
“Why YOU? Why would you do this for me even though I’ve killed your mates and your children? What possible reason could you have to want to save me from myself?”
If a goose can snort in disgust, this one does.
“Child, have you not realized that you play a unique role in the universe? Every person does. You think only of yourself and your own pain. But if you choose to end your life before its time, the very fabric of space and time is altered. That changes the future for all of us—and rarely for the better.”
“Your sorrows are heavy for you…,” he continues, “but they are infinitesimally small in the big scheme of things. We are here to remind you of that—as well as to inspire you to dream again. Dreams are the fuel of the cosmos. When you hold on to dead dreams, they only drain your life of meaning and purpose.”
“As for the question of why us…is the answer not obvious? You have always been drawn to beauty and you dream of flight—but getting you to listen required fierceness. You are…” he pauses for emphasis, “hardheaded.”
I would swear he is laughing at me.
Now I’m annoyed. It’s bad enough to be told that the problems that have been driving you crazy are not that big a deal in cosmic terms and that you are a problem case. Having that message delivered by a 14 lb. feathered oracle who bites and poops everywhere feels like adding insult to injury.
But I get it. You attract the messenger you need.
Sigh.
“Now it’s time to choose,” he says. “You can choose to die and we will not stop you. You have free will, as you always have. Or you can choose to live, knowing that you will face more sorrow and pain until you die at your appointed time. But you will make a difference to the future. I’m not allowed to tell you what that difference is, but I can tell you that it is substantial, and only you can make it.”
My head is spinning. A goose is actually talking to me. I’m tired and sad and this feathered asshole is trying to guilt me into living. Every fiber of my being cries out against the injustice of this forced choice. But I keep thinking of the dying geese and my stomach churns. How many more will I kill if I choose to live?
“Fewer now than before,” the gander says in response to the question I’ve asked only in my mind. I cock my head and raise my eyebrows…
“You are older now,” he responds without my having to say a word. “We rarely save the ones who decide to die in their youth. They cannot understand their place in the fabric of existence because they are not always equipped to see or hear us. Age makes that more possible—though it is not guaranteed. Thus…” he flaps his wings briefly and turns his head from side to side to indicate the enormous size of his bird battalion.
The voice fades from my mind, and I am left looking into the eyes of a pissed-off gander and about a thousand of his equally pissed-off buddies.
I close my eyes and whisper a wordless prayer to whatever might be out there overseeing all of this. I just wanted to rest, and it appears that rest is not what I am destined to have. I want to weep over this knowledge.
But I recognize the importance of what has happened—the sacrifice that the geese have made to protect me from myself. That seems worth honoring—at least for now.
In a quavering voice, I ask “What happens if I choose to live just for today? Can I change my mind later?”
There is no verbal response. The gander stares at me for a long moment, then silently dips his head in assent.
At this, the entire flock begins honking loudly and flapping their wings. The noise and motion make the hair on the back of my neck stand up. But it’s only an involuntary reflex—my fear of them has melted away.
The gander’s call drowns out the rest. On what is clearly his command, the flock wheels as one and rises into the air. I blink and…
They’re gone. As if they have never been there.
I blink again—and now I’m alone on a path in the woods near my house. I have no idea how I got here. I begin to shiver because the sun is going down and it’s getting chilly.
I’m tired—exhausted, really. But this tiredness feels different than what I felt before I woke up in the cave. It feels like the tiredness you earn from a good day’s work. The hard edges of hopelessness and despair have somehow been planed off this tiredness, and I instinctively know that, tonight, I will finally sleep. For the first time in forever, I will not stare at the ceiling in the dark, with tears dampening my pillowcase, or wake up breathless and tormented by nightmares.
I also know that I will spend the rest of whatever’s left of my life trying to figure out what I’ve just experienced. Did I dream it? Hit my head on a tree limb or a rock and hallucinate it? Or did I really dive headlong into madness, only to be dragged back to the land of the living by a flock of ghostly geese?
It’s all so absurd that some part of my brain says it must be true. Even my wildest nightmares have never been like this.
More important, though: What does it all mean? What do I do with the knowledge that my predicament has been a result of holding on to old hopes or ancient dreams that are long past their “Sell By” date? If that’s true, how do I know when to let go? What—if anything—did I learn today to take into tomorrow?
At this moment, I honestly can’t say.
This much I do know…I was not given any Great Truths™ that will miraculously “fix” my life. This isn’t some play in which deus ex machina drops in to right the wrongs, end the tale, and send the audience home happy.
Regardless of where I’ve been or how I got there, I know I looked in the abyss and saw reality—or at least glimmers of it—in a way I haven’t been able to do for a very long time. I saw both joy and pain—and faced the truth that I will never be able to predict which way the scales will balance. Choosing to live means accepting this, without any guarantee that joy will ever be mine again.
I won’t pretend that’s an easy choice. Today, I made the decision to keep going, but I can’t promise for tomorrow. I understand all too well how one can reach the point where the pain is too much to bear. Knowing I still have control over the disposition of my life is a safety valve I refuse to relinquish.
But I feel a small spark of hope rising in my chest.
Maybe that’s enough for now.
As I slowly make my way out of the woods, I hear noises above me. I look up to see a flock of geese, heading south for the winter. In the last light of sunset, I wave and turn towards home.